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The true face of China in Germany

January 20, 2012  Filed under Center Stage  

By He Jianwei
In 2007, the three-year program “Germany and China – Moving Ahead Together” began a tour of six Chinese cities to promote economic, technological and cultural aspects of the European country in China.
Last April, a yearlong project called “The Enlightenment of the Art” opened at the National Museum of China, which helped artists and scholars from the two countries share ideas about the Enlightenment and its effects on cross-cultural communication.
But German-Chinese cultural communication has not been unilateral.
The Year of Chinese Culture begins in Germany in February. During this exchange, Chinese artists and scholars will work to help Germany understand the modern country through 150 presentations of music, opera, dance, literature, drama and fine arts.
Yu Long looked tired last Thursday afternoon when he appeared at the press conference.
As the artistic director and chief conductor of China Philharmonic Orchestra, he and the orchestra had been practicing day and night. On January 30, he will lead the orchestra in a concert at the Konzerthaus on Gendarmenmarkt in Berlin to open the Year of Chinese Culture in Germany.
“Germany is the home of classical music. I feel both excited and worried. I’m trying to prepare a performance so impressive we’ll knock the audience dead,” Yu said.
“We decided to perform works by both German and Chinese musicians. It is a great opportunity to pay my respect.”
The concert will open with the overture from Richard Wagner’s Tannhouser. Following will be Butterfly Lovers’ Violin Concerto, composed by Chen Gang and He Zhanhao in 1958. The piece is based on a Chinese tragedy about Liang Shanbo and Zhu Yingtai, often likened to Romeo and Juliet.
The finale will be The Drunken Beauty, a Peking opera with an orchestra accompaniment.
“People are familiar with Peking opera. We have revised it into an orchestral version. I hope people will see music as a way to communicate with the past and with different cultures,” Yu said.
Born in Shanghai in 1964 to a family of musicians, Yu received his early music education from his grandfather Ding Shande, a composer and China’s first pianist to hold a piano recital and record albums.
His formal music education began at the Shanghai Conservatory of Music and concluded at Hochshule der Kunst in Berlin. “I admire German classical music. But this time, I hope I want bring more works composed by Chinese musicians,” he said.
As the music director of the Year of Chinese Culture in Germany, Yu will return in the summer to lead more Chinese orchestras at Schleswig-Holstein Music Festival, where China will be the guest of honor.
Many Chinese composers have found international fame during the past decade. It was difficult for Yu to choose whose work will be performed this year.
“Not all well-known composers made my list, for example Tan Dun and Wang Yi. The works I chose were those which bridged the gap between Europe and China,” he said.
Among the Chinese pieces he selected was Chen Qigang’s Wu Xing (The Five Elements), which was created for a grand orchestra and performed by the French National Orchestra in 1999. “In this piece, Chen blends Claude Debussy, Olivier Messiaen, Frederick Delius and Peking opera. It is unbelievable that such different musical genres appear in one piece,” Yu said.
Another is Ye Xiaogang’s The Song of the Earth, recomposed after Gustav Mahler’s piece of the same title. From 1908 to 1909, Mahler composed this piece based on seven Tang Dynasty (618-907) poems. In 1908, Mahler read The Chinese Flute, the publication of Hans Bethge’s volume of ancient Chinese poetry rendered into German. Mahler was attracted by the vision of earthly beauty expressed in the verses and chose seven to set to music.
In 2005, 98 years after the initial performance of Mahler’s version, Yu and China Philharmonic Orchestra invited Ye to recreate The Song of the Earth using the same texts.
“We asked the professors at Peking University to translate Mahler’s texts into Chinese. It took a long time for them to figure out which poems appeared in Mahler’s music. Ye created his version based on the original poems,” Yu said. “Ye uses many Chinese percussion instruments in his piece. If Mahler’s version is six oil paintings, Ye’s is six wash paintings.”
There are more than 1,500 artists and scholars attending the events at the Year of Chinese Culture in Germany. In addition to musical events, the public forums give more open and direct communication between Chinese and Germans.
One project, “China! China? China…,” will be held as a cultural event in the town squares of six German cities. It will bring together Chinese artists and scholars to talk about poetry, music, dance, movie, fashion and philosophy in a pavilion made of bamboo.
“In the project of ‘Germany and China – Moving Ahead Together’ (2007-2010), we built a pavilion in the squares of Chinese cities and invited the scholars to talk about German culture. Many Chinese people learned more about us,” said Michael Kahn Ackermann, former president of Goethe-Institut China and consultant for the Year of Chinese Culture in Germany. “I hope this time our Germans can learn more about Chinese culture – not just its traditions, but the new and modern country.”
Ackermann said the name of the project came from a speech delivered by the former Chancellor of West Germany Kurt Georg Kiesinger in 1969.
“The Chancellor said ‘China’ three times to call the congress’ attention to the importance of China. But in the past decades, we had many misunderstandings about modern China. The project is just a thread to connect people in the two countries. Misunderstandings are never bad when they motivate one to learn.”

By He Jianwei

In 2007, the three-year program “Germany and China – Moving Ahead Together” began a tour of six Chinese cities to promote economic, technological and cultural aspects of the European country in China.

Last April, a yearlong project called “The Enlightenment of the Art” opened at the National Museum of China, which helped artists and scholars from the two countries share ideas about the Enlightenment and its effects on cross-cultural communication.

But German-Chinese cultural communication has not been unilateral.

The Year of Chinese Culture begins in Germany in February. During this exchange, Chinese artists and scholars will work to help Germany understand the modern country through 150 presentations of music, opera, dance, literature, drama and fine arts.

The China Philharmonic Orchestra will perform in Berlin to open the Year of Chinese Culture in Germany on January 30. Photos provided by organizer

The China Philharmonic Orchestra will perform in Berlin to open the Year of Chinese Culture in Germany on January 30. Photos provided by organizer

Yu Long looked tired last Thursday afternoon when he appeared at the press conference.

As the artistic director and chief conductor of China Philharmonic Orchestra, he and the orchestra had been practicing day and night. On January 30, he will lead the orchestra in a concert at the Konzerthaus on Gendarmenmarkt in Berlin to open the Year of Chinese Culture in Germany.

“Germany is the home of classical music. I feel both excited and worried. I’m trying to prepare a performance so impressive we’ll knock the audience dead,” Yu said.

“We decided to perform works by both German and Chinese musicians. It is a great opportunity to pay my respect.”

The concert will open with the overture from Richard Wagner’s Tannhouser. Following will be Butterfly Lovers’ Violin Concerto, composed by Chen Gang and He Zhanhao in 1958. The piece is based on a Chinese tragedy about Liang Shanbo and Zhu Yingtai, often likened to Romeo and Juliet.

Berlin’s Tresor club holds first party it town

September 29, 2010  Filed under Community  

Beijing's first Tresor party attracted many beautiful young people who like dancing and electronic music. Photos provided by Tresor.Beijing

Beijing's first Tresor party attracted many beautiful young people who like dancing and electronic music. Photos provided by Tresor.Beijing

By Wang Yu

The steady rain and monstrous traffic jam last Friday could not keep dance fans away from 798 Art District’s Centre d’art Au Nom de la Rose. Tresor, the legendary underground techno nightclub and record label from Berlin, was holding its first party in town with the top German disk jockeys such as Pacou, Tobias Thomas and Hans Nieswandt in attendance.
 
“Tresor has actually already been in China for several months,” said Wang Pan, a staff member of Tresor’s Beijing office. “It took a lot of preparation to bring these top DJs to the party, but all the hard work is worth it,” she said.

The electronic music and accompanying videos began playing at 10 pm, but it wasn’t until midnight when the dance floor filled with dancers. The revelry would last until 6 am the next day.

Digitized urban life – Art exhibition analyzes man-city relationship

August 13, 2010  Filed under Center Stage  

By He Jianwei

Every city has its symbols: the Brandenburg Gate is as iconic of Berlin as Tian’anmen is of Beijing.

But cities are about more than recognizable imagery.

Berlin artists are exploring the hidden and unseen of their city through digital art as they try to unravel its new relationship with its inhabitants in the Internet era.

Having attended this year’s transmediale, the international media arts festival in Berlin, the artists are bringing their works to Beijing’s Today Art Museum next Monday.

Schwelle/Threshold, videostill©Maria Vedder

Schwelle/Threshold, videostill©Maria Vedder

Beijing guys hitchhike to girlfriend in Berlin

March 3, 2010  Filed under News  

Gu took to a ride. His trip took three months of hitchiking. Photos provided by Liu Chang

Gu took to a ride. His trip took three months of hitchiking. Photos provided by Liu Chang

By Li Zhixin

Two Beijing guys spent three and a half months hitchhiking the 160,000 kilometers across 13 countries to see a girlfriend in Berlin, Germany.

They were picked up by 88 rides, including tricycles, tractors and horse-drawn carriages. The journey was dubbed “the most romantic hitchhike in history” by netizens.

Liu Chang, 34, a documentary film director, and Gu Yue, 30, a global traveler, planned two years ago to visit Gu’s German girlfriend by hitchhiking. After mapping their route, they set out June 4, 2009.

They were first seen standing in the mists of Houhai thumbing for rides that June 8. Carrying super heavy bags, they convinced the visa officers of 12 countries they were “backpacking.” With a passport full of visas, they hit the road with a bit of cash, credit cardssleeping bags, a laptop, a camera and some clothes.

Trouble came as soon as they started for Hebei. They waited in vain for over an hour in Houhai, but nobody would stop to take them. Finally they got help from a driver who took them to the entrance of the highway leading to Hebei, where they continued to wait despite the rain. They were asked to leave by some maintenance workers, one of whom said, “Not many cars go to Berlin from here”

Gu Yue and his girldfriend.

Gu Yue and his girldfriend.

It was far more difficult than they imagined. From Beijing to Berlin, they were turned down by more than 1,000 drivers. Often they had to wait hours before getting a hitch.

“The longest we waited was for two days at oadside when going from Hungary to the Czech Republic. We waited till midnight the next day before we got a lift,” Liu said.

“Countries like Uzbekistan and Kyrgyzstan don’t have the custom and we couldn’t speak their guage,” Gu said.

He had someone write a few cards in Russian: “We need to hitch ride to Germany from China,” “Could you give us a ride?” and “Excuse us, we don’t have money but we’ve got cigarette and smiles.”

Liu said the more they hitched, the more they loved it.

Meeting so many people was the biggest reward: a financial officer who was fired during the financial crisis; an easy-going CEO who drove a limo; a drunk driver in Georgia who played “speed” live; and an old fisherman living by the Caspian Sea.

 The funniest experience happened in northern Iraq, where they got on a tractor and rode for 2 or 3 kilometers to a smoky village. They realized that the tractor was rushing there to help put out the fire, and they were brought there along.

When the fire was under control, the two were treated to dinner in an Iraqi home.

“Many peoplewho gave us a lift invited us to visit their home. So we had the chance to peer into strangers’ lives,” Liu saidLiu said the journey left them a pleasant impression of people from all 12 foreign countries they went through, especially Turkey.

“When we were ready to pass Turkey at the end of June, 2009, The Uyghur revolt at home was peaking. Our friends and parents tried to persuade us to not enter Turkey, which they were sure was ful of East Turkistan terrorists. But the people in Turkey were excellent, helpful and hospitable,” he said.

Three and a half months later, they reached Berlin where Gu’s girlfriend Ilka Seide, 32, lives.

“I followed th sunset for the last 3 months, because I knew Berlin was where the sun sets and that was where my beloved lived,” Gu said.

“Next time you want to see me, take the plane,” she replied.

Their journey was tagged “the best Valntine’s Day gift” by netizens.

Gu Yuan and Seide are currently on vacation in Thailand.